The word “Edomae” ,which means Edo-style, has the two meanings. It literally means “in front of” Tokyo Bay. In Edo period, The sea was shallow for some distance from the shore. There were many tidelands which were good fishing grounds for more abundant varieties of fish than nowadays.
The another meaning of “Edomae” is “the arduous work of sushi-making. In Edo period, the modern transportation system hadn’t established yet and, moreover, there were no refrigerator or freezer. In these situations, fresh seafood gradually lost its freshness and quality. Accordingly, the solutions to preserve the seafood and condense more umami flavor than when it was raw through Sushi chef’s works were developed. The ancient sushi chef’s wisdoms such as marinating, cooking, and soaking in sauces were consequently compiled as the “works” of world-renowned “Edomae sushi”.
One important task of sushi chefs is going to Tsukiji (Toyosu) every morning, looking at fish with their own eyes and assessing the quality. Having a good eye is important in order to get the highest quality possible, but this is cultivated by experience. They are also constantly obtaining information from the fishmongers at the market regarding what the best fish of the season and their localities. It’s almost a game as to whether they can get high-quality fish at the optimum price everyday. The skills of a sushi chef start with this assessment.
The naval (actually the anus) in the middle of the body serves as the border separating the head part (top) and tail part (bottom) of the eel. The fat is distributed better on the top. People used to say that since the bottom moves more it is more tasty, but is this really true?
It’s also often said, “the top should be served skin-up and the bottom should be served skin-down.”
Skin-up means that the skin side is on top and the meaty side is on the rice.
Skin-down means that the meaty side is facing up and the skin side is on the rice.
Conger eel easily melts apart when it is boiled and broth enters the part where it separates, so the appearance is not as appealing. But unless the crack is extremely obvious, both the top and bottom of the conger eel is often prepared skin-down in sushi.
This is the migration route of Kuro maguro (bluefin tuna).
Tuna caught in the coastal regions of the Japan Sea is notable as the best bluefin tuna in January. Iki, a small island in Kyushu area is one of the famous ports for tuna.
In February and March, the tuna auction market becomes slack due to rough weather. Just a few tunas from Nachikatsuura where is also the famous port for tuna are on the market.
In March and April, tunas become thin because their eggs need many nutrients.
In May, large tuna is seldom seen in the Tsukiji Fish Market. Even if there is, its body is really thin. “Kinkaimono” which means a shore-fish is generally considered as high-class tuna, but in this season, imported tuna is useful instead.
It is said that Pacific Bluefin tunas spawn around Japanese waters between Taiwan and Okinawa in April and May. And then, they go up to fertile, north sea along the eastern coast of Japan.
In June, “Chubo” which is young and small tuna is taken hugely off the coast of the Sea of Japan. The school of Chubo begin moving northward in this season.
In July and August, tunas can be seen occasionally but their bodies are still thin. Instead, Boston Tuna which is caught in the Atlantic Ocean and nicknamed “Jumbo” is on the market. Its fresh is softer than “Kinkaimono” and it doesn’t have medium-fatty part which “Kinkaimono” has.
In September, Boston Tunas are at their best with plenty of fat on them. The best season of Boston Tuna is limited and ends in October. But fortunately, Japanese tunas come into season.
The school of tunas split up into two groups, the one takes Pacific Ocean route and another takes the Japan Sea route and both of them move northward along the Japanese Islands. Some of them reach the Tsugaru Strait where and the season of Tuna begins from September to next January. Oma town and Toi town is famous nationwide for its catch of tuna from the Tsugaru Strait. The flavor of tuna in September is still weak but it becomes stronger in October. In November, feed of tunas such as Pacific saury or Japanese common squid with plenty of fat increase and flavor of tuna also gets stronger. In December, the peak season comes around.
A catch of tuna falls off in January and it enters the final season. The temperature of sea water gets cold and feed of tuna, squids decrease and the fishing season in this area ends.
At sushi restaurants, only the master chef makes the sushi. Depending on the shop, the apprentices don’t even touch the knives. The texture of a fish changes greatly with the way a fish is cut, drastically affecting the workmanship of the sushi. There is a clear difference in taste when the master makes a piece of sushi from when the apprentice does. It is also commonly thought that a sushi chef can only take care of about 8 customers at once while he is also preparing pieces of sushi, so most counters have around 8 seats.
On the Pacific Ocean side of Japan there is a three-way deadlock between sardines, mackerel and Pacific saury. There is a theory that the species take turns with increasing and decreasing populations. In recent years there has been an increase in sardines and, in turn, there has been a decline in Pacific saury.
When fish die, stopping the supply of ATP (Adenosine Triphosphate), the source of muscle energy, the muscle fibers gradually harden. As time passes, it gently dissolves and the ATP breaks down, changing into umami components due to self-digestion. The umami created by self-digestion of ATP is “maturing” and the process after that is “rotting.”
Foods made to go well with alcohol like ‘shiokara’ salted fish parts or dried mullet roe, don’t go well with shari (vinegar rice). Also, restaurants mainly serving alcohol and foods to pair with it are either bars or Japanese cuisine restaurants that may also serve sushi, but not Edo-style sushi. Many years ago sushi chefs would even get angry saying things like, “Sushi restaurants are not bars. If you want to drink, go next door!” Even Rosanjin wrote, “Sushi restaurants that served alcohol first appeared after WWII. Before the war sushi was served with tea.” In other words, Edo-style sushi restaurants originally didn’t serve alcohol. Perhaps it is true that the increase in sushi restaurants that feel like bars is a natural progression with time.
You can determine how good a sushi restaurant is just by glancing at the topping box (neta-bako). The toppings should all be bright and shiny. This seafood was selected that very morning throughout Tsukiji Fish Market. Even when marinating in vinegar, it’s clear how lively and fresh the fish is.
Every single good sushi restaurant is small. The maximum counter space for a single sushi master to keep up with each customer is 10 seats. These excellent restaurants also have a number of regular customers and almost seem like an exclusive club.
The master conditions his customers to enjoy the toppings that he believes to be the best and the customers train the master into making the dishes they like. After all, making sushi may be a single profession, but it is a relative business and it takes time to build this deep understanding between the chef and customers.
Good sushi chefs do not play favorites to their regular customers. Good regular sushi customers are well-mannered and don’t make an unpleasant atmosphere for first-time customers. Both the chefs and customers are educated in this way. There is this sense of pure pressure in the restaurant.
Good sushi restaurants close their doors early. They need to get to Tsukiji Fish market first think in the morning. This means they need to get to bed by midnight. So the regular customers at these restaurants get up to leave when closing time rolls around. Somewhere along the way they’ve been trained to do this.
Seafood product buyers tend to believe that the products they are purchasing are as described by the sellers. But, that isn’t always the case. Seafood products are sometimes intentionally labeled incorrectly for profit.
This is seafood fraud. Fraudulent actions like this threaten the safety of the food. From the FDA’s “Report on Seafood Fraud”
70% of seafood consumed in the US is eaten at restaurants. The products served at restaurants are generally lower quality than those sold in retail outlets and the sushi is especially appalling. Unless visiting a top-class sushi restaurant (where the prices are, of course, high), you can usually expect to be served the worst of the worst.
There isn’t much a consumer can do about this, but at the very least you can educate yourself on types of fish that are often substituted. If you were to order White Tuna or Red Snapper, you would very likely be served something else. Any shrimp ordered was probably farmed.
There are no laws regulating “Fresh” or “Organic” labels so don’t be fooled by these. In the same way, be suspicious when you see word combinations like “Great Sushi” or “Great Sashimi.” There is no such thing as “Great” in this sense. By Larry Olmsted, a print columnist for two of America’s three national newspapers, Investor’s Business Daily and USAToday
Shari (vinegared rice or sushi rice) used for making sushi is kept in a rice tub and normally placed by the hand the chef uses to shape the rice. The chef places his shaping hand in the tub and takes out several hundred grains of rice. It is said that a skilled chef can consistently grab the same number of grains with an error of only a few grains, every time. This is the result of many years of training.
If the chef lacks such training, they may take too much shari and you’ll see them return some to the rice tub. This is called “sute-shari (捨てシャリ)” or “discarded shari”. This sute-shari is not a very appealing sight. But the reality is that even the world-famous Jiro* can be seen discarding shari in this way.
*Jiro Ono is the owner of Sukiyabashi Jiro, a sushi restaurant in Ginza that has earned the status of three Michelin stars for 12 consecutive years.
There are two tools used to grate wasabi, one is a metal grater and the other is called “Samegawa” (sharkskin), which has a layer of shark skin. When something as fine as shark skin is used for grating, the spicy flavor is enhanced and when a coarser metal is used, the sweetness is enhanced.
The taste of the wasabi even changes depending on whether it is turned clockwise or counter-clockwise while grating.
In some cases, the strong belief that fish is only about freshness, may prevent you from tasting the true value of the fish. For example, slicing up a fish that was just swimming, in front of the customer. The umami flavor is weak at first so while the texture is tough (a unique, crunchy feeling), the flavor is lacking. But the idea that freshness is equivalent to deliciousness continues still. This is a typical case of faith in freshness overtaking the actual taste.
Marbled tuna(shimofuri) is the part in which it looks like the fat has fallen like a frost and melts like snow on your tongue then leaving only the umami taste.
The lined fatty tuna (Jabara) is the part that has white fat lines running through it. When you first take a bite, surge of aroma and umami flavor fills your mouth. After that, the potent fatty umami fills your mouth. The way the fat melts in your mouth differs between Jabara and marbling, so which you like better depends on preference.
Meji Maguro (AKA: Meji) caught in fixed net fishing is one type of sushi topping that you really should try. Meji is the larval fish of Pacific bluefin tuna, made and served at expensive restaurants, but not usually available as Edo-style sushi. Its fat is lighter and it doesn’t have the impact that fatty tuna has. Efforts are put into seasoning to avoid this. Using a pinch of ginger, Japanese basil or onion between the topping and rice, along with the wasabi, really brings out the fresh flavor of the young fish as well as the sweetness of this fatty part.
One of the pleasures of sitting at a sushi counter is watching the sushi master work his craft.
He holds the topping between the index finger and thumb of his left hand while simultaneously grabbing the shari (vinegar rice) with his left hand. He gently squeezes the shari and then moves the topping from his left hand to the top of that shari in a fluid motion. This entire process of shaping the shari to the finished piece of sushi takes less than six seconds. Every movement is precise and purposeful.
However, no matter how many pieces the chef makes one after another, you’ll never see a grain of rice stick to his hands. If you or I were to make even one piece of sushi, our hands would be covered in rice. So why doesn’t it happen to them? Their hands don’t look oiled. Perhaps sushi chefs have especially smooth or slick hands compared to us average Joes?
Of course not. This is actually thanks to the vinegar.
The chefs keep a bowl of vinegar close by, which they constantly use to wet their hands. This procedure is called “Tezu” or vinegared water, which both disinfects the hands and cools their palms. When the vinegar evaporates, it takes the heat from the hands with it.
Normally hands reach temperatures of 33-34 degrees Celsius (91-93 degrees Fahrenheit), but sushi chefs cool their hands to approximately 30 degrees Celsius (86 F). This transfers the heat from the hands to the shari, keeping it from getting sticky. In other words, not a single grain of rice sticks to their hands.
