Oboro and Denbu look the same, and the ingredients are also pretty much the same. In other words, there are no clear differences between them, but what it is called differs depending on the restaurant’s policy and the locality. There are various theories for this, but there is no clear line distinguishing oboro and denbu.
Denbu (田麩) is mainly boiled white fish that is then loosened and made into fibers, then seasoned with sugar, mirin, salt, etc., then roasted until the moisture is gone. Some are colored with red food coloring (called sakura denbu) while others are left as the brown color similar to tsukudani. The appearance is as if only the fibers of the original ingredients remain. This is why it was written with the kanji “田夫” (the literal meaning of kanji: rice patty+husband). The word “田夫” means “someone from the countryside” or “rough-cut” and refers to the way the fish is turned into a coarse form by pulling the meat apart. It is also used as a coloring for chirashizushi, futomaki (large sushi rolls), bento boxes, etc.
On the other hand, Oboro (朧) is made by using a grinding bowl to break down the meat of shiba shrimp or white fish, then seasoning with sugar, mirin and salt before removing the moisture over low heat. Oboro is used for bara-chirashi, futomaki (large sushi rolls), etc., and is also sometimes used between the topping and shari (vinegared rice) in nigiri sushi. This gentle sweetness and the shrimp aroma are essential for Edo-style sushi. Making oboro is laborious work, so there are fewer and fewer Edo-style sushi restaurants that make their own oboro.
[sc_apply url=”https://sushiuniversity.jp/apply/”]
We hope this information will be helpful.
Revision date: February 1, 2021
Share this article
In most cases, Fugu (blowfish) poison is found in non-meat parts of the fish such as the liver, ovaries, stomach, intestine, skin and eyes. There are Fugu that do not contain poison in these parts, but most of the Fugu in the waters near Japan are poisonous. A mistake in preparations that allows the meat to touch the poison of the liver or ovaries results in immediate death. Therefore, the general rule is to only eat Fugu at restaurants with an expert licensed in Fugu preparation. Cases of poisoning by Fugu are nearly always a result of an amateur trying to prepare the fish.
A good representative fish of shusseuo is the yellowtail. Its name changes as it grows and there are various forms of their names depending on the region. In the Kanto region, it changes from Wakashi (15-20cm) to Inada (30-40cm) to Warasa (60cm) and then to Buri (80cm or greater). It is said to be most delicious at 40 cm or longer and even if the body is plump, inada often has little fat.
Lumpfish roe is sold as a substitute for caviar. The size of each egg is about 2 mm in diameter and it is colored with squid ink. This gives it a taste and appearance similar to caviar. The market price is an astonishing USD $5 per 50 g.
First, place the caviar on a cracker. Fake caviar (made of Lumpfish roe) has added color, and this color will bleed onto the cracker within about 30 minutes. However, the color will not transfer to the cracker from real caviar.
When you see “tai” on the menu at a conveyor belt sushi restaurant, it’s very likely that is not “madai” (
First on the list is Nile tilapia. This fish was introduced from Egypt to rivers throughout the world as food in 1962. While it was farmed in large quantities in Japan, especially in Kagoshima, from the 1990s, production rapidly declined with the stagnant prices of farmed madai. However, they are extremely fertile and proliferate naturally, and started living in the thermal regions and the rivers where warm wastewater flow throughout Japan.
The name “engawa” comes from its resemblance to the unique veranda structure of Japanese-style homes. This veranda is called “engawa” in Japanese.
While high-quality tuna toro used to be unattainable for normal people, it’s now become a much more affordable item. This is thanks to fish fattening practices of the southern bluefin tuna, which is equivalent in quality to the Pacific bluefin tuna. The fattening method of catching young southern bluefin tuna in roll nets or something similar, and then keeping them in fish preserves until they grow big enough was developed in the 1990s in Australia.
In the case of Sushi, a representative of Japanese cuisine, the decisive point is to prepare the fish in a way that removes the fishy odor characteristic of Japanese sea bass. At the same time, the finished piece should be a simple dish that can be enjoyed with only a minimal amount of nikiri soy sauce and wasabi, so as not to override the natural refreshing flavor and umami of the fish. It should let the customer imagine sea bass swimming in the summer sea. And yet, the deep flavor required for the dish is successfully brought out using only a balanced combination of vinegar rice, the topping, wasabi and soy sauce. The method is really just to take out the excessive elements of the dish.
Meanwhile, the method for making sea bass dishes in French cuisine, representative of western cooking, includes seasoning the fish with salt and pepper and saute in butter, then adding rich, creamy sauce as well as other things like herbs, caviar, black truffles, etc., creating a dish that allows enjoyment of multilayered flavor. This sort of dish beautifully makes up for the flavors that the light, white fish lacks and portrays a flavor with depth through the finished plate over the individual flavor of the sea bass. In this cuisine, it can be said that the cooking method is more important than the raw ingredients. It can be thought of as cuisine that adds many ingredients.
In order to maintain the quality of tuna, when it is caught in the sea, the ikejime technique is used first, then rapid freezing is used as a matter of course. This means that the quality of the thawing technique is also important. Poor thawing conditions mean that the drip outflow volume will be too high, shrinking the meat and worsening the texture. Here I will explain a thawing method that doesn’t cause drip, uneven thawing, or loss of color.
I’m sure you’ve seen it before in any type of thawing frozen meat, but there is a red liquid that comes out of the tuna when thawing. This is called ‘drip’. This liquid includes the tuna’s umami, and when the fish loses a lot, it naturally detracts from the flavor.
However, in 1934, a restaurant in Ginza called Kyubey started a revolution. This restaurant is still synonymous with high-end sushi, but at that time many political and business people went there as well. Then, one night… Apparently, one of the regular customers was tired of eating ordinary sushi and said to the chef, Hisaji Imada, “I want to eat some sushi that is more unusual. Ikura (Salmon roe) sounds like it would make good sushi,” as a joke. Imada, who took these words seriously, thought to himself, “But the roe would fall off if put directly on the shari (vinegar rice),” and racked his brain that night for a solution. Finally, he had an idea and said, “I know, I could just surround shari with seaweed and put salmon roe in it.” This is how the Ikura Gunkanmaki was born.
Next, when that customer came in again and Imada nervously served him his new Ikura sushi concept, it was received much better than expected. Gaining confidence from this reaction, Chef Imada put it on his regular menu. The story goes that rumors of the delicious taste spread and other sushi restaurants started to copy it. Then, the term “ikura gunkan-maki”(salmon roe battleship roll) was coined.
There is only one trick to distinguishing between conveyor belt sushi restaurants (kaiten-zushi), and that is to try eating the tuna as your first dish.
The most commonly used ingredient at kaiten-zushi is tuna. At kaiten-zushi, the tuna is imported and frozen nearly 100% of the time. The most famous is the Southern blue-fin tun, but you’ll also find Boston bluefin tuna, Canadian tuna farmed in fish preserves, inland sea tuna from Turkey and Spain, New Zealand offshore tuna, Atlantic tuna, etc. Also, the season of each type of tuna and the timing of high-volume catch differ, which makes the prices fluctuate greatly.
It seems kanikama was invented in Japan. In the early 1970s, Sugiyo, a fish paste manufacturer, in a failed attempt to developed artificial jellyfish, ended up with a product that had a texture exactly like crab and shifted development to that instead.
The tiny red balls around the outside of the rice on California rolls are Tobiko (飛び子). Specifically, they have salted roe of flying fish and are known for the plump, crunchy texture. This crunchy texture comes from the skin, which is relatively tough, even compared to other fish eggs. As the roe is made up of small eggs of only 1 to 2 mm, each one bursts as you bite, without leaving the outer skin in your mouth, so you can enjoy a nice texture that you won’t find with any other fish roe. Unlike the orange-colored tobiko sold in stores, natural tobiko has a pale golden color with a sense of transparency. Therefore, some processors have dubbed it “golden caviar”.
On the other hand, an orange-colored tobiko is often seen at conveyor belt sushi restaurants, etc., but this is the roe of a fish called capelin (カペリン), which is similar to shishamo smelt. A salted version of this is used for sushi rolls in the US and other places, where it is called masago. Compared to tobiko, the grains are smaller and the texture is a bit chewier. It is mainly rich in EPA (Omega-3 fatty acids) and collagen.
Finally, we’ll let you in on a not-so-pleasant secret. Flying fish and capelin roe is actually a light yellow or beige color. However, you’ll find it in bright red, orange, yellow and lately even green or black. Of course, these are colored by either natural pigments or synthetic coloring. Furthermore, tobiko is sometimes mixed with the cheaper capelin or herring roe. Unfortunately, food fraud is common in seafood products that are consumed in high quantities.
Ikezukuri means to take a fish that’s swimming in a tank at the restaurant, and immediately making sashimi after killing it, while the meat is still super fresh. In this state, there is no Inosinic acid, but there is quite a show with movement still in the fish and this preparation method gives the best-tasting texture.
Nojime* means using a massive amount of ice to suddenly reduce the temperature, resulting in the death of the fish, either at the fishing site or at the local market. This method is used for small, cheaper mass-market fish that are caught in large amounts. Nojime starts with a reverse calculation for flavor from the day after fishing, but if the process isn’t thorough or there are any deficiencies, the fish won’t stay as fresh, so detailed care must be taken in temperature management.
Ikejime is used so that the peak flavor will be reached during afternoon and evening business hours. The spinal cord of the live fish is cut and spinal fluid drained at the early morning market. This result is a firmness from the remaining ATP, and delicious flavor from the Inosinic acid that is generated as time passes. After some time has passed, even fish for which Ikejime is applied, can reach the same state as Hamajime if used after being refrigerated for one to two days, in order to maximize the Inosinic acid generated. Of course, sushi chefs find their own balance of firmness in meat or added flavor, and incorporate this balance for the optimum combination with their shari in each piece of sushi.
The fish used in sushi is generally salted or soaked in vinegar then matured for several days while the umami Inosinic acid component increases. This is called “Jukusei” (aging). Sushi made with toppings that have been aged in this way is called “Jukusei sushi”. The aging period depends on the type, individual size and origin of each fish, and some are even aged for over four weeks. However, the preparations are not only difficult and time-consuming, but the discolored parts and inedible parts must also be trimmed, so these toppings tend to be expensive. If gone too far, the Inosinic acid converts to hypoxanthine and rots. The ability to make this judgment is important. In the end, Jukusei is an evolved version of the culture of “maturing toppings” which existed in Edo-style Sushi.
In order to mature seafood, after completing advance preparations (removing the head and internal organs then washing thoroughly; all blood must be removed), more than adequate considerations must be made for the fat content of the fish and management of the bodily fluids. Specifically, this includes processes like dry-aging at a low temperature, removing moisture using salt, utilizing enzymes and fermentation, wet aging by putting the item in a vacuum pack, and wrapping in aging sheets, which were developed thanks to